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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Hélène Kirsova
Hélène Kirsova
Hélène Kirsova

Hélène Kirsova, 1937

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Gift of Danina Dupain Anderson 2018. Donated through the Australian Government's Cultural Gifts Program.

Hélène Kirsova
Hélène Kirsova
Hélène Kirsova

Hélène Kirsova, 1938

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Gift of Danina Dupain Anderson 2018. Donated through the Australian Government's Cultural Gifts Program.

Hélène Kirsova with a rope
Hélène Kirsova with a rope
Hélène Kirsova with a rope

Hélène Kirsova with a rope, 1937

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of Rex Dupain 2003
Donated through the Australian Government's Cultural Gifts Program

Hélène Kirsova in Petrouchka
Hélène Kirsova in Petrouchka
Hélène Kirsova in Petrouchka

Hélène Kirsova in Petrouchka, 1936-1937

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of Rex Dupain 2003
Donated through the Australian Government's Cultural Gifts Program

Little John of Colchester, a poor lunatic, c.1823 by John Dempsey

Dempsey's people

About Face article

Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.

Portrait 68

Summer 2022/23
Magazine

Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.

William John Wills, 2nd in command of the Victorian Expedition
William John Wills, 2nd in command of the Victorian Expedition
William John Wills, 2nd in command of the Victorian Expedition

William John Wills, 2nd in command of the Victorian Expedition, 1860-1861

Henry Samuel Sadd, Fergusson & Mitchell, Melbourne after Thomas Adams Hill
Portrait, mezzotint on paper

Purchased with funds provided by Ross A Field 2007

Angus Trumble and David Hansen

National Portrait Gallery Director's tenure ends in triumph

30 November 2018
Archived media releases 2018

National Portrait Gallery Director Angus Trumble is ending his five-year tenure with a flourish, after announcing that Gallery publication Dempsey’s People: A Folio of British Street Portraits 1824-1844 has been awarded the 2018 William MB Berger Prize for British Art History.

Angus Trumble and Brownie

A bear of great substance

About Face article

Just in time for Christmas, Angus reflects on the most special present he has ever received.

Portrait of Dr Johann Reinhold Forster and his son George Forster

To the end of the earth

Magazine article by Dr Sarah Engledow, 2009

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

Portrait of an English Woman c. 1532-5 (detail)

A new perspective

Magazine article by Celina Fox, 2006

An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.

Ned Kelly death mask

Sideshow Alley

Infamy, the macabre & the portrait
Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

Charles Summers

The importance of being bearded

Magazine article by Joanna Gilmour, 2012

Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.

Cover, first minute book of the Tasmanian Society of Natural History

Embrace your inner nerd

About Face article

The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency